February 25, 2009

100 Years of the Futurist Manifesto,1909.

The Futurist Manifesto was a brutal program of provocation – a prequel for the ideology of Fascism. In it, Filippo Tommaso Marinetti expressed an absolute aversion of everything old. Herein lies the power of the power of manifesto: the total rejection of the past. In case of the futurist architect Antonio Sant'elia it led to great drawings. The Futurist Manifesto, however, is disgusting.

Antonio Sant'elia

The Futurist Manifesto:
  1. We want to sing the love of danger, the habit of danger and of temerity.
  2. The essential elements of our poetry will be courage, daring, and revolt.
  3. Literature having up to now magnified thoughtful immobility, ecstasy, and sleep, we want to exalt the aggressive gesture, the feverish insomnia, the athletic step, the perilous leap, the box on the ear, and the fisticuff.
  4. We declare that the world's wonder has been enriched by a fresh beauty: the beauty of speed. A racing car with its trunk adorned by great exhaust pipes like snakes with an explosive breath ... a roaring car that seems to be driving under shrapnel, is more beautiful than the Victory of Samothrace.
  5. We want to sing the man who holds the steering wheel, whose ideal stem pierces the Earth, itself launched on the circuit of its orbit.
  6. The poet must expend himself with warmth, refulgence, and prodigality, to increase the enthusiastic fervor of the primordial elements.
  7. There is no more beauty except in struggle. No masterpiece without an aggressive character. Poetry must be a violent attack against the unknown forces, summoning them to lie down before man.
  8. We stand on the far promontory of centuries!... What is the use of looking behind us, since our task is to smash the mysterious portals of the impossible? Time and Space died yesterday. We live already in the absolute, since we have already created the eternal omnipresent speed.
  9. We want to glorify war - the only hygiene of the world - militarism, patriotism, the anarchist's destructive gesture, the fine Ideas that kill, and the scorn of woman.
  10. We want to demolish museums, libraries, fight against moralism, feminism, and all opportunistic and utilitarian cowardices.
  11. We shall sing the great crowds tossed about by work, by pleasure, or revolt…

the manifesto was published in Le Figaro on 20 February 1909

2 comment(s):

  1. It was meant to be groundbreaking, it's not easy to understand without having a little knowledge of Italian deep culture. It was a strong gesture against one of the biggest "loads" that an Italian freethinker has: the total respect of the glorious past examples. We are too often buried in preserving things and we struggle trying to propose something new.
    Designing a truly contemporary building downtown an Italian city is as hard as talking about an Italian family without considering the catholic rules. Hard, if not impossible.
    This is, according to me, the necessary "lens" to read the futurism manifesto. It was mainly to shock and to declare "we want to go on free, we are ready and willing to discuss everything was done before. We are ready and willing to glorify and concentrate on new things"

    Calling it disgusting is considering it like an italian dusty and boring Italian posh intellectual from the twenties. And you are definitely not.

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  2. Yeah, fascism culture was clearly getting popular back then, with a manifesto like that. I wonder whether Mussolini made use of this Manifesto?

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